In last part of the book, New Media in Art by Michael Rush mentions artist Paul Garrin, white devil, (1993) an interactive cinema installation. The viewers are placed in middle of imaginary neighborhood as they pass through the the gallery space surveillance cameras track their gestures and dangerous dog appears on video screens to scare them. Similar, to how stereo-profiling is in some neighborhoods. Mainly, ones that are not use to having people of different backgrounds. But at the same time this also views that everyone is suspicious regardless of race, ethnic, or religion. Treated as equals in the view of the cameras and the dog. Terrifying movie.
"Why the F**k I'm Up" "for this projected I took a shit ton of photos for about 6 months now. And I did not know what I wanted to do with them. Anyway, I took slices of each photo that was taken at an ungodly hour. And rearranged them into a new view of my car window. And I will say I was not driving when I produced these photos. It pays off sometimes to be early. But I rather be sleeping."
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