In this section of chapter four Michael Rush speaks briefly about the internet although vast and global not yet affordable for everyone (222). As artists find new ways to distribute their artwork online. The book discusses various websites that artist constructed another piece of artwork for hosting their work. Similarly, museums seem obsolete because now artist have a way commissioning their work cutting out the middle man. And there no rules of how obscenity are pushed. Which good and bad for viewers and artist.
"Why the F**k I'm Up" "for this projected I took a shit ton of photos for about 6 months now. And I did not know what I wanted to do with them. Anyway, I took slices of each photo that was taken at an ungodly hour. And rearranged them into a new view of my car window. And I will say I was not driving when I produced these photos. It pays off sometimes to be early. But I rather be sleeping."
Not to disagree with Rush on this point, but clearly there's something different about viewing a artwork in person as opposed to via a display on your phone, no? What do you think?
ReplyDelete